
Artisan · Đồ đồng trang trí · Đại Bái village
Nguyễn
Văn Sơn
“The mould is broken to free the work. Every bell is cast once.”
His mark, chased into the base of every piece after the patina has set.
- Craft
- Bronze castingBurners, bells, vessels
- Workshop
- Đại BáiThe family foundry
- Learned from
- His fatherand the drum patterns
- Signature
- The drum motifchased after casting
- On LangSoul
- 5 worksTakes commissions
01 — The maker
Seven generations at the pour
He learned the trade as every boy in the lane did, carrying sand and breaking moulds, and took over the foundry from his father in the 1990s when the temple orders returned. The large bells still go to temples. The burners and vessels, chased with the drum patterns of the Đông Sơn bronzes, now go further.
He pours before dawn, when the air is cool and the metal behaves, and chases the surface by hand afterwards — weeks of small chisels for a morning of fire. The patina is the village’s own mixture, and he asks that it be left alone.
02 — The works
Five works from the bench
03 — Commission
Sơn takes commissions between temple orders
A burner to a size, a bell for a garden, a vessel with a pattern from the drums. Tell us what you have in mind and we will carry the conversation to the foundry. Two to four months from mould to crate.
A letter from Đại Bái
“The mould is dry. We pour on Tuesday before the sun. I will send a photograph of the metal going in.”
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