
Artisan · Gốm sứ mỹ nghệ · Bát Tràng village
Phạm
Văn Đức
“The kiln opens at dawn because the glaze was decided at dusk.”
His seal, pressed into the foot of every bowl before the first firing.
- Craft
- CeramicsCeladon, ash glaze
- Workshop
- Bát TràngThe family kiln by the river
- Learned from
- His fatherwho kept the glaze recipe through the lean years
- Signature
- Celadon cracklethat takes on tea
- On LangSoul
- 5 worksTakes commissions
01 — The maker
A glaze his family has kept for six generations
The family has fired on the same plot since the nineteenth century, and the celadon — men ngọc, jade glaze — is the reason. It needs a reduction fire, long and starved of oxygen, and a potter who can read the colour of the flame; too much air and the green turns yellow, too little and it goes grey.
Đức throws thin, chooses from each kiln load himself, and sells the rest to the village market. The crackle in his glaze is deliberate: it opens in the cooling and takes on tea over years, which he considers the beginning of the bowl’s life rather than a flaw.
02 — The works
Five works from the bench
03 — Commission
Đức takes commissions by the kiln load
A set of bowls for a long table, a jar to a size, a glaze you have seen on another piece. Tell us what you have in mind and we will carry the conversation to the kiln. Two to four months, depending on the firing calendar.
A letter from Bát Tràng
“Your twelve are in the kiln. We open on Thursday at first light. I will send a photograph of the door before it is unbricked.”
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