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Craft village

Châu Giang

A Cham village on the Hậu river where brocade is woven on frame looms for sarongs and scarves, and the mosque calls across the water.

A Cham weaver in Châu Giang at a wooden loom under a stilt house, bright brocade, Mekong river light, Châu Giang village, Mekong Delta, Vietnam
A Cham weaver in Châu Giang at a wooden loom under a stilt house, bright brocade, Mekong river light, Châu Giang village, Mekong Delta, Vietnam

A Cham village on the Hậu river where brocade is woven on frame looms for sarongs and scarves, and the mosque calls across the water.

Craft
Cham brocadeDệt Chăm
Where
Tân Châu, An Giang
Practised since
GenerationsCham weaving on the Hậu
Material
Cotton and silkFrame looms
On LangSoul
RecordedNot yet carried

01 — The story

Looms on the far bank of the Hậu

In Châu Giang the weaving belongs to a Cham Muslim community whose life is shaped by the river and the mosque.

In Châu Giang the weaving belongs to a Cham Muslim community whose life is shaped by the river and the mosque.

Châu Giang lies on the bank of the Hậu river, across the water from the town of Châu Đốc. Its people are Cham, Muslim since long ago, part of a community that settled along the Mekong’s upper branches over the past few centuries and kept its own language, dress and faith. The mosque, with its domes and minaret, is the centre of the village, and the weaving grew up around the household, made by women for the family and for trade along the river.

Today weaving here is a quieter business than it was. Fewer looms work, and much of the cloth sold in the area comes from elsewhere. But a number of households still weave sarongs, scarves and lengths of brocade on wooden frame looms, often under the house, which stands on stilts against the floods. The work is sold in small shops along the lane and at the riverside, and the patterns, mostly geometric, are passed between mothers and daughters.

In good Cham brocade the pattern is woven in, not printed or embroidered, so the back of the cloth shows its reverse rather than loose threads. The geometric motifs should be crisp, with diamonds and bands that meet cleanly at the edges. Colours are usually strong and the cloth fairly firm. Run a hand across it: a well-beaten weft feels dense and even, with no thin or slack patches along the length.

02 — The technique

What makes Châu Giang weaving

The patterns are made on the loom, thread by thread, by lifting different sets of warp threads for each pass.

I

Warping the loom

Long lengths of cotton or silk thread are measured out and wound onto the wooden frame loom before any weaving begins.

II

Pattern picked by hand

For brocade the weaver lifts chosen warp threads with sticks or heddles so the coloured weft floats to form the motif.

III

Beaten close

Each pass is beaten firmly into place, giving the cloth its density.

IV

Finished as sarong or scarf

Lengths are cut and hemmed into sarongs, scarves and head cloths, or sold as cloth by the metre.

Words you will meet

Chăm

The Cham people, whose ancestors built Champa on the central coast.

Dệt thổ cẩm

Brocade weaving, cloth with woven-in pattern.

Xà rông

Sarong, the wrapped skirt worn by Cham men and women.

Khung dệt

Loom frame.

03 — Visiting

Visiting Châu Giang

Cross from Châu Đốc on the small ferry and walk the lane along the river; looms are often visible under the stilt houses and the shops will show you cloth. Dress modestly, avoid prayer times at the mosque, and ask before photographing people, especially women. Write to us if you would like an introduction.

From Cần Thơ
About three hours by car, then a short ferry
Best season
December to April, before the floods
Look for
Pattern woven in, crisp on both faces
Ask about a visit Ask about a visit

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