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Craft village

Ngũ Xã

A bronze-casting village that is now a lakeside quarter of Hà Nội. Its founders came from five villages in the seventeenth century to cast for the court; the great Buddha of Thần Quang pagoda, cast here in 1952, is the largest in the north.

A Ngũ Xã bronze caster chasing a large bell, old brick workshop by the West Lake, bronze dust in a shaft of light, Ngũ Xã village, Red River Delta, Vietnam
A Ngũ Xã bronze caster chasing a large bell, old brick workshop by the West Lake, bronze dust in a shaft of light, Ngũ Xã village, Red River Delta, Vietnam

A bronze-casting village that is now a lakeside quarter of Hà Nội. Its founders came from five villages in the seventeenth century to cast for the court; the great Buddha of Thần Quang pagoda, cast here in 1952, is the largest in the north.

Craft
Bronze castingĐúc đồng
Where
Ba Đình, Hà Nội
Practised since
c. 17th centuryFive villages, one quarter
Material
BronzeCast for the court and the pagodas
On LangSoul
RecordedNot yet carried

01 — The story

A casting village inside the capital

Ngũ Xã is a quiet lakeside quarter now, but its lanes were laid out around furnaces.

Ngũ Xã is a quiet lakeside quarter now, but its lanes were laid out around furnaces.

Ngũ Xã sits on the shore of Trúc Bạch lake, a few minutes from West Lake in the centre of Hà Nội. The casters who settled here came from five bronze-working villages and kept the name, five villages, for the quarter they built. They cast for the court and for the pagodas: bells, incense burners, statues, ritual vessels and the domestic bronze of well-off households. They honour Nguyễn Minh Không, the Lý-dynasty monk whom Vietnamese casters regard as the patron of their craft.

The best-known work stands in the village itself. The great bronze Buddha of Thần Quang pagoda was cast by the villagers in a single pour, and it is still the reason most visitors come. The city has grown around Ngũ Xã since, and casting in a dense residential quarter has become difficult; much of the heavy work now takes place in workshops beyond the centre, while the lanes are known for bronze shops and for food. A few families keep the knowledge of the large moulds.

In good cast bronze the surface is dense and even, without pitting or bubbles, and the details of the mould come through crisply. Finishing by hand, chasing and polishing, should sharpen the casting rather than hide its faults. The colour of a well-aged piece deepens to brown or dark gold. Bright, thin, lightweight pieces are usually spun or stamped metal rather than casting.

02 — The technique

What makes Ngũ Xã bronze

Casting succeeds or fails in the mould, long before the metal is poured.

I

The model

A full model of the piece is made first, in clay or wax, and every detail the casting will carry is worked into it.

II

Moulds of fine clay

Moulds are built from layers of fine clay mixed with chaff, dried slowly and fired so they will take molten metal without cracking.

III

One pour

For a large piece the metal is melted in several crucibles at once and poured together, so that it fills the mould without seams.

IV

Finishing by hand

When the mould is broken away, the bronze is cleaned, chased and polished by hand, and sometimes given a patina.

Words you will meet

Đúc đồng

Bronze casting.

Khuôn

A mould.

Lư hương

An incense burner, one of the classic altar bronzes.

Chùa

A Buddhist pagoda.

03 — Visiting

Visiting Ngũ Xã

Ngũ Xã is an easy walk from West Lake: visit Thần Quang pagoda to see the bronze Buddha, then the shops along the lanes. You are unlikely to see a large casting in the quarter itself; dress modestly in the pagoda and keep voices low. Write to us if you would like an introduction to a working caster.

From Hà Nội
In the city, beside Trúc Bạch lake
Best season
Year round; autumn is mildest
Look for
Dense, crisp casting and a deep, even patina
Ask about a visit Ask about a visit

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